It's an argument as classic and pointless as cat vs. dog, but I firmly believe that book vs. movie is a no-contest affair. The standard advantage of books is that they have greater depth and detail than movies (being more a collaboration of your own imagination with the author's guiding words); whereas movies are inescapably structured but instantly gratifying. Yet, beyond all the surface comparisons, what struck me the other day was how dangerous actors are to a movie, and all it took was a drag queen.
The great advantage of characters in a book is that they are unique to their tale. Sure, there are stereotypes (the wizard, the old wise man, the young and stupid protagonist) but even a line-up of blond cheerleaders can be differentiated in some way! So you never see a book-character outside of their world and they stay pure. This is most definitely not the case with actors who change costumes and stories with each new gig. Hurray, for them! They are employed! But what are the consequences?!
- Oskar Schindler gives up his whore-mongering ways to become a rogue Jedi-master; then, years later, starts exploring his sexuality under the name Dr. Alfred Kinsey....Qui-Gon, noooooo! (This awkward transition brought to you by Liam Neeson)
- A bi-curious, Australian drag queen morphs into a sentinel in the sham of life that is the matrix and then escapes said matrix to rule over Rivendale as Elrond. (Agent Smith's got some nice gams! Thanks, Hugo Weaving.)
- After successfully winning a film award for a failed amateur porn movie, Andy Sargentee transforms into a giant, surfing penguin who loves clams...I saw those in reverse order but the whole porn movie had me thinking of penguins. (Jeff Bridges)
Maybe I shouldn't complain, though, because this way I get to enjoy the characters on a whole new level. Afterall, once you've seen Hugo Weaving in fishnets you can spot something almost sassy in the way he plays Agent Smith...and who can gripe about that? ;-)

